28,209 로열티 프리 오디오 트랙들 "Midi Files Of Rhythms And Percussion Music"에 대한

First bars from Ludwig van Beethoven's Piano Sonata No. 31, Op. 110, third movement

Ausschnit aus Beethovens Klaviersonate c-Moll, op. 10/1

Characteristic disco drum pattern: four to the flour with sixteenth note ride pattern.

Hendrix chord.

Elektra chord implies an E Major and C# Major chord together (C# E# G# = Db F Ab)

Power chord on E. Created by Hyacinth (talk) 14:21, 27 July 2008 using Sibelius 5.

The secondary dominant chords of the key of C major, each given before the chord of which it is the dominant. Digital recording, made with an acoustic piano and Wavesurfer software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Beispiel einer Shepard-Tonfolge; Scheinbar unendlich tiefer werdender Ton Example for a Shepard tone

Symphony No. 5, first movement, bars 195-227

The trio from Pomp and Circumstance March No. 1, directed by Edward Elgar. Played for the opening of EMI's studios at Abbey Road.

This file has no description, and may be lacking other information. Please provide a meaningful description of this file.

Recording of music written by Frederic Chopin

The theme song from the 1940s Superman cartoon

Ricercar a 6 from the Musical Offering bars 29-31

*Undecimal neutral third on C = E↑♭- (Ben Johnston's notation). 11:9 = 347.41 cents. Limit: 11-limit.

*Septimal minor third on C = E♭ (Ben Johnston's notation). 7:6 = 266.87 cents. Limit: 7-limit. MIDI pitch bend: 51,53

*Just minor third on C = E♭ (Ben Johnston's notation). 6:5 = 315.64 cents. Limit: 5-limit. MIDI pitch bend: 1,69

*Just diminished third on C = E♭♭- (Ben Johnston's notation). 256:225 = 223.46 cents. Limit: 5-limit. MIDI pitch bend: 65,71

*19-limit seventh tone on C = C (Ben Johnston's notation). Just: 57/56 = 30.64 cents. Limit: 19-limit. MIDI pitch bend: 103,73

*Septimal minor third on C = E♭ (Ben Johnston's notation). 7:6 = 266.87 cents. Limit: 7-limit.

*Undecimal major third on C = F↓+ (Ben Johnston's notation). 14:11 = 417.51 cents. Limit: 11-limit.

Joseph Haydn: Ein einzig böses Weib, Kanon auf einen Text von Lessing

Ninth (D), in red, of a C added ninth chord. Created by Hyacinth (talk) 16:46, 4 July 2010 using Sibelius 5.

Dominant form chord: Dominant ninth chord preceding tonic chord and possessing a primary dominant function.

Minor eleventh chord in Herbie Hancock's "Maiden Voyage".

Minor 6/9 chord on C. Created by Hyacinth (talk) 09:57, 11 December 2011 (UTC) using Sibelius 5.

A thirteenth chord "collapsed" into one octave results in a dissonant, seemingly secundal[1] tone cluster. Created by Hyacinth (talk) 22:18, 5 July 2009 using Sibelius 5.

Minor ninth chord on C. Created by Hyacinth (talk) 08:44, 29 May 2011 (UTC) using Sibelius 5.

CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.

Ninth augmented fifth chord on C.

Admonter Krippenlied Text von Leopold Hörlezeder: Ein Kindlein uns geboren ist zu Bethlehem im Stall. Das Kindlein ist Herr Jesus Christ, drum freut, o freut euch all! Das Kindlein sieht nicht Geld und Gut, nicht Macht und Würde an. Wer seines Vaters Willen tut, der hat ihm wohlgetan. Es ist vor ihm kein Unterschied: Es bringt zu allen gleich der Heiland, der die Herzen sieht, des Vaters Himmelreich. O nieder's Haus voll Herrlichkeit! Zu Bethlehem im Stall ward aller Welt ein Segen heut, o freut, o freut euch all!

*Hundred-eleventh harmonic on C = A♯+ (Ben Johnston's notation). Just: 111/64 = 953.30 cents. Limit: 37-limit. MIDI pitch bend: 7,81

*4913rd harmonic on C = C♯. Just: 4913/4096 = 314.87 cents. Limit: 17-limit. MIDI pitch bend: 96,68

*Hundred-fifty-ninth harmonic on C = E (Ben Johnston's notation). Just: 159/128 = 375.46 cents. Limit: 53-limit. MIDI pitch bend: 18,56

*Major tone on C = D. 9:8 = 203.91 cents. Limit: 3-limit. MIDI pitch bend: 32,65

*Hundred-eighty-fifth harmonic on C = F+ (Ben Johnston's notation). Just: 185/128 = 637.66 cents. Limit: 37-limit. MIDI pitch bend: 6,76

*Forty-first harmonic on C = E (Ben Johnston's notation). Just: 41/32 = 429.06 cents. MIDI pitch bend: 38,73

*Forty-third harmonic on C = F (Ben Johnston's notation). Just: 43:32 = 511.52 cents. MIDI pitch bend: 87,67

*Just perfect fifth on C = G. 3:2 = 701.96 cents. Limit: 3-limit. MIDI pitch bend: 80,64 MIDI file.

*3375th harmonic on C = G+. Just: 3375/2048 = 864.81 cents. Limit: 5-limit. MIDI pitch bend: 94,52

The opening of Beethoven's Opus 10/1 for comparison with the opening of Dussek's Sonata Opus 39/3.

Chopin Waltz in D flat, Op. 64, No. 1

Beginning of Robert Schumann's Song "Zwielicht" (from Liederkreis op. 39)

Das amerikanische Volkslied She'll Be Coming 'Round the Mountain als MIDI-Datei. The American folk song She'll Be Coming 'Round the Mountain as a MIDI file.

Actual score to accompany an analysis by Czerny (simplified) of the first measures of Chopin Study op. 10 n. 1.

The melody of the folk song The Girl I Left Behind Me. Die Melodie des Volksliedes The Girl I Left Behind Me. La mélodie de la chanson populaire The Girl I Left Behind Me.

Synthesized midi rendering of first Kyrie movement of Missa prolationum by en:Johannes Ockeghem. Created with Lilypond. See File:Ockeghem Prolationum Kyrie full.pdf for score.

Hugo de Lantins: Jo sum tuo servo.

Jacob Senleches: Ballade Fuions de ci.

Pierre Solage: rondeau Fumeux fume par fumee.